Captivating Scottish singer-songwriter/pianist who proved her chops by winning the SAY Award in 2015.
Standing dance floor with seating available on upper tiers. Scottish singer Kathryn Joseph returns to Aberdeen to give, what is sure to be, a stunning performance in support of her latest album. When Kathryn Joseph says that “listening to certain pieces of music can make you know the truth of everything,” she’s remembering one personal epiphany at a gig in 2016 that helped point her to the contented life she now lives, but the same can easily be said of her own music. Intimate, fearlessly frank and with a fathoms-deep emotional resonance, Joseph’s highly individual expression was first heard on 2015’s Bones You Have Thrown Me And Blood I’ve Spilled. The dark, mournful beauty of that debut – which addressed failed relationships and the death of her infant son – bagged her the Scottish Album of the Year award against stiff competition, despite the fact that at the time she “wasn’t thinking about the record as something that would be of interest to anyone else. Really, it was just for myself. I was thinking, this is the only time I’ll ever do this and here are my favourite songs.” Thankfully, that thought faded and following several collaborative projects in 2016, Joseph now shares From When I Wake The Want Is, 12 songs of an equally devastating, understated intensity in terms of her heavily rhythmic piano work, striking vocals and vivid lyrics, but with a newly muscular edge and textured depth. It mixes new songs with material gathered over the past ten years that was at various stages of completion, but whose sentiments still resonated with Joseph, prompting her to write new lyrics. Marcus Mackay, who also produced Bones You Have Thrown Me… gives each song its experimental setting, making dramatic use of space and also provides drums, synth and electronics. Joseph (secretly) recorded her partner Kenny Oram playing piano at the start of both opening track “IIII” and album closer “^^”, while her daughter Eve, then four, can be heard reciting a piece of improvised prose on the latter. Recording was done at Mackay’s Diving Bell Lounge studio in Glasgow, in September of 2016.